Get to know the SAYS22 finalists in the International 8-12 year old category

This year’s Song Academy Young Songwriter competition attracted over 850 entries from aspiring young songwriters aged 8-18 across the world, both experienced young songwriters and those who’ve written their first song. The judges were extremely impressed with the originality, creativity & musical bravery of the songs.

We interviewed each of the finalists to get to know them and learn more about how they write songs.  We’ll add more Q&As as we receive them.  Stay tuned!

PERSEVERANCE – GIOELE UBEZIO, 10 YEARS OLD

What inspired you to write your finalist song? I wrote this song in a moment of great sadness that I don’t know where it came from, but I knew that I couldn’t let myself go to sadness, that I had to try to be happy. I often play in moments of reflection, playing whatever I feel in my head is something I often do and it helps me to find calm within myself.

What got you into writing songs? This is the first sung song I’ve written, the others were all just piano compositions.

What is your favourite part of the song writing process? What I like most about writing music is hearing new, original musical melodies that leave something in the hearts of the people who hear them.

How do you usually start a song? How do you find that spark? I always start by doing the technical exercises that my teacher gives me, then I get bored and change direction…

Describe your setup that you used to write your #SAYS22 entry. I only used the piano and my voice to write this song.

Who would be your dream artist/writer/band to collaborate with? I would like to play and meet Steven Tyler, whom I always admire and listen to.

What would you say to someone aged 8-18 who is thinking about entering the Song Academy Young Songwriter competition next year? Do you have any tips for them?  I would like to tell the other children that making your music known is very important because it enriches your soul with all the feelings that others feel when they listen to you.

What do you like about the Song Academy Young Songwriter competition? I like the seriousness of this competition and the fact that it recognises that even a small child like me has something to tell in music.

HOLIDAY CHEER – ALEXIS & LAUREN ROLEY & THE KOUZINS, 8 & 10 YEARS OLD

What inspired you to write your finalist song? I love Christmas and being around my family. I wanted to write a song about being together and how happy I am with them at Christmastime.

What got you into writing songs? It is easy for me to put my problems and what I am thinking about onto paper. Writing songs helps me deal with my problems and worries, and it lets me express how I am feeling.

What does songwriting mean to you? Songwriting means everything to me. It allows me to express what I feel so it means a lot.

What is your favorite part of the songwriting process? My favorite part is seeing my thoughts on paper.

How do you usually start a song? How do you find that spark? I usually think about what I want to write about (from a feeling or an experience), and then I write down the title of the song first. After I have the title, I start writing down the words that come to me. I usually find that spark from an experience I have.

Describe your setup that you used to write your #SAYS22 entry. I am usually in my room and I write in my song book journal (where I compile all my songs). After I have all of the words written, I sing the notes/melody (how I want the song to sound) to my grandpa. Then he puts everything into his music program.

Who would be your dream artist/writer/band to collaborate with? It would be a dream to work with Taylor Swift and Dua Lipa!

What would you say to someone aged 8-18 who is thinking about entering the Song Academy Young Songwriter competition next year? Do you have any tips for them? I would say to anyone thinking about entering the competition next year is to enjoy the process and do the best you can. Have fun with it!

What are your favorite other entries from this year’s competition? Who out of the other entrants (it doesn’t have to be a finlast) would you like to collaborate with? “On the Run” by Noah Robertson and “Anywhere” by Austin Bruford are some of my favorite entries this year. It would be fun to collaborate with Ilah Gardiner because I like her voice and the message of the song.

What do you like about the Song Academy Young Songwriter competition? I like that it gives me a chance to show others about the message I have to tell.

RISING FROM THE FIRE – ILAH GARDINER, 12 YEARS OLD

What inspired you to write your finalist song? My song was inspired by being in a toxic friendship and how much emotional impact it can have on young people. Rising from the fire was a song I wanted to help empower people in the same situation to get back up and recognise that they are not alone.

What got you into writing songs? Many things actually. My dad used to be in a band when I was younger, so I was exposed to a lot of the music atmosphere. I think after listening to other songs that made me feel a certain way and how many people they can empower people, I wanted to do the same. Once I picked up a guitar and collaborated with my voice, I knew this is what I wanted to do!

What does song writing mean to you? Song writing means a chance for me to express myself and be heard. It also gives me the chance to help and connect with people. The magic that song writing brings has always meant so much to me. And has made me want to pursue my dream as a songwriter to bring that same magic!

What is your favourite part of the song writing process? My favourite part would be realising you have something. Sometimes you work on multiple songs at once and only come out with one in the end. In the early days of writing a song, which is just me sitting and strumming my guitar, singing, when you realise you have potential for your song it is the greatest feeling! It is like the scaffolding of the song!

How do you usually start a song? How do you find that spark? Many ways. I like to take a problem that is happening and put what is going on into lyrics. Other times I might just have a trigger, which can be a word or phrase e.c.t, that I feel has the potential of being cooperated into a song. Most of the time though it starts with a riff on my guitar. Then I come back to that riff when I feel I have found the lyrics for that riff!

Describe your setup that you used to write your #SAYS22 entry. I didn’t use much really! For my D.A.W (Digital Audio Workstation) I just used GarageBand. It had everything I needed! I could just use the built-in microphone on a computer and still get the sound I wanted! And I used my Michael Kelly guitar!

Who would your dream artist/writer/band to collaborate with? Woah,the possibilities!!! Definitely Birdy as I adore the music she writes. When I was little (4 or 5) I got one of her albums for Xmas, inside the album was written ‘Keep trying and one day you will be like Birdy’. I hope one day I can be! But then I would love to collaborate with Amy Wadge as she is an awesome songwriter and has actually written for Birdy! But then I love Florence & the Machine, City & Colour, Queen and many more!!

What would you say to someone aged 8-18 who is thinking about entering the Song Academy Young Song Writers competition next year? What have you got to lose? If you are looking for a way to express yourself and for your music to be heard this is your competition! You have to start somewhere!

What are your favourite other entries from this year’s competition? Who you like to collaborate with? Probably Elle Longstaff? I love her voice. There is so many people to choose from!!

What do you like about the Song Academy Young Song Writers competition? I love how its aim is to get young people to express themselves through music and creates an environment for that as it is quite hard to find. The encouragement is awesome!!

I WISH, I DREAM – TAMARA YASIN, 11 YEARS OLD

What inspired you to write your finalist song? I have been deeply disappointed by the news on the TV about what happening with the war between Russia and Ukraine. I knew that if I couldn’t help physically, but I should help spiritually. Of course, donating to Ukraine would be great, but also showing people of Ukraine that all of us care would be important. So, I wrote this song to help all of us see that instead of war should be peace and harmony and love should always conquer hate. I hope that this song will bring awareness that even young people care about current situation and praying for peace in the world. The bridge in my song is stating “Humans! Peace is in YOUR hands!” Honestly, I wanted to write “Putin!…’, but it would be too political and not poetical.

What got you into writing songs? Writing songs is like saying a poem but doing it while singing. In songs you can say things that you want to say but in a rhythmic and lyrical way. After a songwriting camp I decided, I should start writing songs, and now I love it!

What does songwriting mean to you? Songwriting is like a paragraph from an essay but includes singing and expressing the paragraph in a way that you can’t say it.

What is your favourite part of the song writing process? My favorite part of the songwriting process is when I say, “ I’m done!” And then five minutes later I’m writing a whole new verse because it didn’t sound right.

How do you usually start a song? How do you find that spark? Songs for me just pop out at any moment and …Bam, I am scribbling words on a piece of paper. Most of the time the spark comes from the tune that I am humming. I usually get ideas for a song when I am playing the piano or watching the news or even eating dinner!

Who would be your dream artist/writer/band to collaborate with? I would love to collaborate with Arianna DeBose because she is a great singer and dancer, and she was outstanding for her performance for the West Side Story and in many other of her hits!

What would you say to someone aged 8-18 who is thinking about entering the Song Academy Young Songwriter competition next year? Do you have any tips for them? I would say “Remember this is all about you, not me or your mom or whoever else. This is art and art are unpredictable, creative, and very fascinating thing. Express your emotions in your songs, and don’t get sad if you ever lose or not get an award. The future has many more opportunities!

What are your favourite other entries from this year’s competition? Who out of the other entrants (it doesn’t have to be a finalist!) would you like to collaborate with? I really like songs by DEVY, it would be cool to collaborate with her.

What do you like about the Song Academy Young Songwriter competition? I love that I have a chance to share my songs with not only my friends and family but the whole world!

ON THE RUN – NOAH ROBERTSON

What inspired you to write your finalist song? I love playing guitar and writing songs. But, it’s hard to write songs when you are just 11 or 12yrs old as you haven’t really had any heartbreaks or anything yet! So this song I decided to write from someone else’s perspective. Someone has done something wrong and they are on the run! They are looking for forgiveness but feel they can’t go back.

What got you into writing songs? I guess playing covers is where everyone starts and then you kind of figure out your own style and you want to write your own music and words to create something original and different. Also having a reason to write a song or a story to tell makes the process a bit more meaningful and a lot easier.

What does songwriting mean to you? I just love being able to create a story through music and song.

What is your favourite part of the song writing process? I really like the musicality side of songwriting. Once I’m feeling a certain melody or creating a certain feel on the guitar the words come along and are in flow with the feeling of the music I’m experimenting with.

How do you usually start a song? How do you find that spark? I spend a lot of time playing guitar. I really like coming up with melodies first, playing some cool riffs and then I wrap some words around it.

Describe your setup that you used to write your #SAYS22 entry. I just have a notebook and pencil with me when I’m writing songs. I’m really lucky, my parents built me a little space (a studio of my own) so I have my guitars and amps in there etc. It’s a great space to create. My song entry ‘On the run’ is just a very raw acoustic recording – just the guitar and I.

Who would be your dream artist/writer/band to collaborate with? I’d have to say Keith Urban, Mark Knopfler, Paul McCartney, James Taylor and John Mayer. What a dream come true that would be!

What would you say to someone aged 8-18 who is thinking about entering the Song Academy Young Songwriter competition next year? Do you have any tips for them?  Just write from your heart and enter!

What are your favourite other entries from this year’s competition? Who out of the other entrants (it doesn’t have to be a finalist!) would you like to collaborate with? Too many to choose from! I think all the entries offer so much.

What do you like about the Song Academy Young Songwriter competition?  I’m from Australia so it’s fantastic that the Song Academy has an international entry.

BUBBLEGUM GIRL – DEVY, 11 YEARS OLD

What inspired you to write your finalist song? I wrote this song about an imaginary girl, who I describe as a ‘Bubblegum girl’, who is overly-positive about everything. The idea behind the song is that ‘it is okay and perfectly normal to feel sad and express your emotions’.

What got you into writing songs? Every since I could talk, I used to sing about everything happening around me. Once I was old enough to write, I started recording them in little notebooks.

What does songwriting mean to you? Songwriting is a way to express my emotions and thoughts. Whenever I song-write it’s like a release. I also like to write about stories and the point of view of other people.

What is your favourite part of the song writing process? My favourite part is singing it all together when I finish a song.

How do you usually start a song? How do you find that spark? It’s like a mood, it just comes.

Describe your setup that you used to write your #SAYS22 entry. I wrote the song in my room and I wrote the lyrics on apple notes while recording my melodies on voice memos. I made the backing track on my computer.

Who would be your dream artist/writer/band to collaborate with? My dream collaborator is Olivia Rodrigo!

What would you say to someone aged 8-18 who is thinking about entering the Song Academy Young Songwriter competition next year? Do you have any tips for them? Like Nike says, JUST DO IT! Your song will make someone smile.

What are your favourite other entries from this year’s competition? I’m a fan of all the songs but if I have to choose I would go with Nelly Bingham’s Find A Place. Who out of the other entrants (it doesn’t have to be a finalist!) would you like to collaborate with? Tamara Yasin’s vocal is angelic! She would be awesome to collaborate with.

What do you like about the Song Academy Young Songwriter competition? I like how Song Academy gives a platform to share your songs and listen to other young artists! I am honoured to be one of the finalists out of so many incredible entries.

COME BACK HOME – ZJAMYR

What got you into writing songs? I was inspired by my big brother.

What does songwriting mean to you? To me it means singing a poem or rapping a story.

What is your favourite part of the song writing process? Arranging the instrumental parts, putting the song together & choosing what fits best in my song.

How do you usually start a song? How do you find that spark? I play around with the plugin “FLEX” on fl studio. I mess around to find an ideaI like.

Describe your setup that you used to write your #SAYS22 entry. I used a Rodes Condenser Microphone, fl studio, skytec monitors.

Who would be your dream artist/writer/band to collaborate with? I don’t really have a favourite artist, I love all of them so it’s kinda hard to choose.

What would you say to someone aged 8-18 who is thinking about entering the Song Academy Young Songwriter competition next year? Do you have any tips for them? I’d tell them it’s fun and and you learn from the experience, and to start their career too.

What are your favourite other entries from this year’s competition? Who out of the other entrants (it doesn’t have to be a finalist!) would you like to collaborate with? Ooo I have no idea I love all of them.

What do you like about the Song Academy Young Songwriter competition?  I think it was challenging and fun! I would love to learn more about song writing.

DEAR MADELEINE – EVA STEINERT

What inspired you to write your finalist song? I was thinking about some times when I was mean to my sister. Around Christmas time I thought I would write a song for her to let her know how much I love her.

What got you into writing songs? My parents have always had instruments in the house so I grew up with an interest in music. I wrote my first song on the ukulele when I was four!

What does songwriting mean to you? Music gives me a creative outlet to express my feelings. Instead of yelling at somebody I can write a song about them.

What is your favourite part of the songwriting process? I love the moment when a chord progression comes together, it makes me feel satisfied. I also enjoy writing lyrics because it gives me an outlet for my creativity.

How do you usually start a song? How do you find that spark? I try to write based on my own experiences. That makes it easier to understand what I’m writing about and have a heartfelt song. I also keep a notebook with scraps of lyrics that I can look back on and use later.

Describe the setup that you used to write your #SAYS22 entry. I wrote the lyrics and music for this song in my bedroom on my Dad’s 30-year-old Seagull S-6 guitar. The rest of the instruments were added during the recording process. My dad helped me figure out some of the parts but I played everything myself!

Who would be your dream artist/writer/band to collaborate with? I would like to collaborate with Chris Murphy from Sloan. Sloan is the first band I got to see live and I met Chris after the show. He seemed like a really cool guy!

What would you say to someone aged 8-18 who is thinking about entering the Song Academy Young Songwriter competition next year? Do you have any tips for them? Music isn’t a competition so do your best and have fun with it.

What are your favourite other entries from this year’s competition? Who out of the other entrants (it doesn’t have to be a finalist!) would you like to collaborate with? My favorite song from both 8-12 categories is Anthem-X by John Denton. I would love to collaborate with DEVY. I loved the vibe of her song and I think she has a unique sound. We could probably do something really cool mixing our styles.

What do you like about the Song Academy Young Songwriter competition? I’m really excited for the chance to have so many people hear my song! I don’t know any songwriters near me so it’s great to hear songs written by other kids my age.

ANYWHERE – AUSTIN BRUFORD

What inspired you to write your finalist song?  I honestly didn’t really know at first, but now that I think about it I feel that I understand why I wrote it. This song came together really quickly when I wrote it on the piano really early in the morning, so at the time I wasn’t thinking about the process which I felt made it such a great song. But, now that I look back at the lyrics I feel like I wrote it about having a relationship with someone and just showing what the outcome would look like, and then reassuring them by saying don’t worry I won’t go anywhere.

What got you into writing songs?  The first time I wrote a song was in grade 3, I played it for the grade and they loved it. After that, I kind of stopped for a while because at that time I was only messing around with it. I didn’t write another song until I heard the song “I Don’t Care” by Ed Sheeran and Justin Bieber, for some reason that just sparked something in my head that made me want to make a song as good as that. Every day since then I have been pushing myself to make an even better song than the one I made the day before.

What does songwriting mean to you?  Songwriting means a lot to me, it doesn’t only help me express how I feel but it also helps me decompress and relax. With songwriting I have been able to make stories, and I have been able to make something beautiful that other people love. This all has inspired me to stick with songwriting for as long as I can.

What is your favourite part of the song writing process?  I have two favorite parts of the song process. My first one is just getting an idea that I can stick with, an idea that I know will end up creating a wonderful song. My second one is being able to produce the song because it’s like the possibilities feel endless and I can really do whatever I want with my song.

How do you usually start a song? How do you find that spark?  I really don’t know, I feel like I have found many ways to start an idea for a song. I find that often I sit by the piano playing chords, and once I find a good progression I play a melody over it and just keep writing. Sometimes I don’t even sit down at the piano, I just get on to the music software and start producing.

Describe your setup that you used to write your #SAYS22 entry. At that time I didn’t even know I was writing this song to be entered in a competition. At the time I was writing songs for an album and came up with this one. This song just felt so much more natural than the ones I had written before, it came together really quickly. I started off by playing a couple of chords and making a chord progression, and then I hummed a melody over it and wrote the lyrics. I produced the song on GarageBand pretty quickly, and then I kind of stopped for a while and didn’t record the vocals. I didn’t record the vocals until I knew that I wanted to enter this songwriting competition again.

Who would be your dream artist/writer/band to collaborate with?  This is a tricky question because there are a lot of artists in the world to collaborate with. If I had to pick one I would say Ed Sheeran because he’s been one of the first artists I ever listened to, he was also the artist that inspired me to start songwriting. However, one of the most important reasons I kept on songwriting is his movie “Songwriter.” This movie was basically about him traveling around the world making songs for his album “Divide”. I liked this movie because it showed how he made his songs and his process of making them. But, since we’re talking about the collaborating part I would have to say that I would like to collaborate with Ed because he seems like a really interesting person, a good songwriter, and has a wonderful voice.

What would you say to someone aged 8-18 who is thinking about entering the Song Academy Young Songwriter competition next year? Do you have any tips for them?  I’d say that it’s a pretty cool experience and that the people hosting it are really open and experienced, and that you can do many things like getting your song critiqued by others, and it is a great chance to work with your friends. My tips for next year’s songwriters are to always try to be free with what you’re writing, there are no constraints, and also try to be yourself as much as you can because that will make your song a lot better.

What are your favourite other entries from this year’s competition? Who out of the other entrants (it doesn’t have to be a finalist!) would you like to collaborate with?  I would collaborate with DEVY because they have a unique style of songwriting and probably have written lots of songs in the past too. Her song really stood out to me because I felt it was a bit more professionally produced than some of the other songs. In the end, I want to collaborate with her because I think it would be fun trying to write a song with someone who has a wonderful voice and is a very good songwriter.

What do you like about the Song Academy Young Songwriter competition?  I like the fact that it’s open to people who are living internationally. I also like the whole idea that I can share my music with others that are professional and can help critique it. The songwriting competition is a great experience and I will probably enter next year too.

Announcing the top finalists in The Young Songwriter 2022 competition

Songs reveal the hearts & minds of young people.  Impressive originality, creativity & musical bravery displayed. Young people have a unique way of expressing themselves, they are a new generation experiencing life in the most vivid and visceral way. SAYS22 gives the unheard youth a voice and platform to express themselves and be heard. The future of music is bright and diverse.

SAYS22 Star Judges include Tom Grennan, Amy Wadge, Miranda Cooper, Tom Odell, Eg White, Jimmy Napes, Emily Phillips, Plested, Hannah V, Sodajerker, Sacha Skarbek, Calum Scott, Dan Gillespie Sells, Janet Devlin, Simon Aldred & Grace Davies

Drumroll please! The top finalists of the hotly contested Song Academy Young Songwriter 2022 competition, in its 12th year,  have now been revealed. This year’s competition attracted an impressive 852 high quality entries from aspiring young songwriters aged 8-18 across the world, both experienced young songwriters and those who’ve written their first song.  67% of entrants were girls, 28% boys, 2% preferred not to say & 3% had a unique gender identification. Entries were from across the entire UK (82%) and around the world (18%).  The future of music is bright and diverse.

The Young Songwriter competition stands for the craft and art of songwriting in its purest form, enabling young songwriters to aspire to the very best melody, lyric, structure, concept, harmony, mood and impact a song can have. It inspires young people to think about and speak up about things that are important to them personally, in their community and in the wider world and get their voices heard. It’s a supportive community where young people feel brave and can express themselves, celebrate individuality and be themselves. The benefits from this unique community are far reaching, especially the positive boost to mental health.

What makes a sensational song is ultimately subjective. The top finalists songs were selected as they stood out for their creativity, invention & courage with lyrics & melodies illuminating our imaginations. Congratulations also go to all SAYS22 entrants for writing some wonderful songs & sharing them with our vibrant community.

Goto the Song Academy SoundCloud account to listen to the finalists’ songs!  Plus the top songs and young songwriters are shown below.

The top 10 finalists of all categories will be announced on the 6th May.  The top 3 finalists will be announced on the 13th June.  The UK/Ireland winners will be announced on the 25th June at The Young Songwriter 2022 live showcase held at The Tabernacle, Notting Hill, London.  The International winners will be announced at the online showcase on Sunday 26th June at 2pm GMT.

Fraser T Smith (songwriter, producer and SAYS21 judge) said “With so much going on in the world, it’s never been more vital for young people to be able to channel their energy and emotions into something positive, which is what The Young Songwriter competition encourages and facilitates through songwriting. Every young person has something to say, a story to tell, or a message to share – that’s why Song Academy is so important to our community.”

As well as The Young Songwriter competition, Song Academy run songwriting clubs in term time, songwriting workshops in the holidays, song feedback reports, recording & production workshops, bespoke songwriting workshops & birthday parties.

Official sponsors of The Song Academy Young Songwriter 2022 competition are YouTube Music, Yamaha, Soundtrap, Focusrite, PRS for Music, IK Multimedia, ICMP and Orange Learn.

CATEGORY:  UK/IRELAND, 13-18 YEAR OLDS

ALL IN – DANIEL MCCARTHY
BELLADONNA – RUBY COOKE
BETTER OFF – LUKE ELLIOTT
BOYFRIEND – DSWRV
BREATHTAKING TENSION – CHARLIE HEWLETT
CANNOT LOSE MYSELF – SISI
CONTRAST – VINNIEC
DAISY – CINTA AURELEE
DON’T RILE THE YOUNG – SONIC DAZE
FLINCH – MEG CURL
GATEKEEPER – BEA
GIRL THAT OUTGREW – ROSIE TRENTHAM
HIDE AND SEEK – KIMICHI
HONEST – CONOR MARCUS
HOURGLASS – BELLA HOWELLS
IRON FIST – WOODY COLLINS
IT’S A FUNNY WAY – AMELIE CLOWREY
LAY A LITTLE LIFE DOWN – ESME HALLWORTH
MACHINE HEAD BOY – STATYC
NEW YEAR’S EVE – RUBY ANN SPIEGEL
RIVIERA – OLIVIA SWINTON
SOLD THE STORY – LEONA MAE
SOULS ARE RISING – THIS ELEGANT GULL
SUCH A GOOD FIGHT – DAISY-ROSE IRESON-HUGHES
SWEET 16 – TWAYN
THINKING I’M FINE – ANNEKA SHELLEY
TOO FAR DOWN – IVY PRATT
TOPIARY – OSCAR MEADES
UP TO THE SUN – GEORGE DICKSON
USED TO BE – STUART VEITCH

 

CATEGORY:  UK/IRELAND, 8-12 YEAR OLDS

ANTHEM X – JOHN DENTON
BEAUTIFUL STRANGER – SAMBELLE PRINCE
BUSTING THE HINGES – SPARROW DURHAM-LOVE
DON’T LEAVE ME NOW – MAX KENWORTHY
FIND A PLACE – NELLY ROSE BINGHAM
FIND YOU – FIRE FLIES
FIRE HEART – MIDNIGHT STARZ
FOMO – HOLLY DAIS
FRANKIE IN THE HOUSE (SUPER COOL) – FRANKIE MEADES
FREE – JOHNNY BEAU
FRIED – UMA MARTIN
IN-BETWEEN – TIMI HUGHES
LINGO – MATTHEW ARKOH
MIRACLE – GEORGIA TAYLOR
MONEY IS NOT EVERYTHING – THE MAWNEY SCHOOL YEAR THREE
MY FATE – NIKOLAS ROCHE
OPPOSITE WAY – MAYA HELON
OUR SECRET HEAVEN – GRETA KILL
PARADISE FALLS – FINN CRABTREE
PATCH IT UP – ROMY
ROAD TRIPS – HENRY MARNHAM
SET THE WORLD ON FIRE – RUBY MULHOLLAND
SOMETHING BIG – LEANNE JOAN FERNANDES
SPARK – ISLA HANNETT
SUNSET, SUNRISE – CHLOE TURNER
TAKE ME TO THE STARS – JOSEPH DAVIS
TURN BACK TIME – SYLVIE HAMMERSLEY-FOX
WHAT COOKIES MEAN TO ME – COOKIE MONSTERS
YEAR 3000 – HATTIE
YOU NEVER LISTENED – MARTHA & THOMMY BAILEY VINE

 

CATEGORY:  INTERNATIONAL, 13-18 YEAR OLDS

ATOMIC BOMB – CALISTA HARMS
BIGGER – ALEXANDRA CRIBB
BLUE – AMANDA FAGAN
BOY – SUMMER BRENNAN
CALIFORNIA – ALLY CRIBB
CONFESSION – CINTA AURELEE & JESSICA ANDREA
CROSSROAD – MARTHE SKEIDE
DIMPLES – SEDA PARTIZPANYAN
DONE – MALAIKA WAINWRIGHT
FALLING IN LOVE – MICHAEL ABIMANYU KAENG
FIVE FINGERS – THE CICADA
HEROES HAVE SHADOWS TOO – ISAAC STAINES
IN SPACE – ANTEA TURK
LIKE A GHOST – MALAIKA WAINWRIGHT
LOST – MONIQUE RASO
OCEAN CHILD – SUMMER STARLING
PHASES – PETER PULST
RISE – MONIQUE RASO
SUNDAYS – LILY WELCH
TALKING TO THE DEVIL – NEAV
TETHERED – THE SEASIDE FEELS
THE SKY & I – JANE CALLISTA
THE SOUND OF LONELINESS – SEDA PARTIZPANYAN
THINK MYSELF TO DEATH – JOEY WILBUR
TOXIC TIME BOMB – AEJ ((ANNA-ELEA & JOSEFINE)
UNTIL WE MEET AGAIN – CLARA FRANZ
WASTED POTENTIAL – LINDSAY LIEBRO
WHAT IF – PETER PULST
WITHOUT ME – JOEY WILBUR
YELLOW – JOEY WILBUR

 

CATEGORY:  INTERNATIONAL, 8-12 YEAR OLDS

ANYWHERE – AUSTIN BRUFORD
BUBBLEGUM GIRL – DEVY
COME BACK HOME – ZJAMYR
DEAR MADELEINE – EVA STEINERT
HOLIDAY CHEER – ALEXIS & LAUREN ROLEY & THE KOUZINS
I WISH, I DREAM – TAMARA YASIN
ON THE RUN – NOAH ROBERTSON
PERSEVERANCE – GIOELE UBEZIO
RISING FROM THE FIRE – ILAH GARDINER
UNBREAKABLE – DANIELA VERTIACHIKH

SAYS22 Official Partners include First News, Amazing Radio, BMI, Ivors Academy, FAC, SoundCity, AOC, MUSIC:ED, The Troubadour, Sing Up & Fun Kids Radio

NOTES TO EDITORS:

SONG ACADEMY – helping every child find their voice and find their tribe

Founded 13 years ago, Song Academy is dedicated to the future of music and the wellbeing of young people aged 8-18. Our mission is to help children from all backgrounds find their voice and find their tribe, through writing their own original songs at a formative time of their life. We aim to take them from their first song to developing their first album. We nurture young writers, artists, musicians, producers and creative thinkers, empowering young people to achieve their full potential and shape their future.

Our focus is on the craft of songwriting, creating lyrics and music. We believe that songwriting and music can transform the lives of young people. Young people are growing up in a competitive, fast-changing and potentially isolating environment, leaving them vulnerable to various pressures and issues with their mental health. Songwriting enables young people to communicate their thoughts and feelings and connect to others. Through this creative and therapeutic process, they can discover their identity, overcome challenges, feel empowered, and advance their general writing and social skills. Not only can the songs they write advance potential musical careers, but also spark debate, build connection with peers and shape their future.

Song Academy runs after-school clubs, holiday workshops, school workshops, birthday parties and an annual international Young Songwriter competition. As a result of our programmes, we have seen an increase in confidence, self-esteem, creativity, motivation, well-being and technical songwriting ability of our members.

Email: rowena@songacademy.co.uk. Tel: 07710 023743

ORIGINALITY • CREATIVITY • COURAGE • INDIVIDUALITY • SELF ESTEEM • INSPIRATION • RESILIENCE • CONNECTION • RESPECT

What’s it like to listen to all The Young Songwriter 2022 entries?

I have been amazed at the songs in this year’s Song Academy Young Songwriter 2022 competition.

Award winning songwriter, Emily Phillips, chairs the main Song Academy Young Songwriter 2022 competition * judging panel and has had the stimulating & challenging experience of listening to and judging all 852 songs entered into this year’s competition.  A team of masters in songwriting students at ICMP and the Song Academy team helped Emily with the judging process to select the top finalists.

Emily has had top ten hits on both sides of the Atlantic and has worked with artists including Florence and the Machine, Sigrid, John Newman, Rizzle Kicks, Big Time Rush, DNCE, SOAK, and Nicole Scherzinger. Emily has also had 4 Hottest Records in the World as chosen by BBC Radio 1, including “Everybody Loves You” (SOAK), which was played on U2’s latest world tour. Emily recently had a no. 1 iTunes hit called “Racing Cars,” with Ruti (winner of The Voice). Emily has just had a Gospel musical for Broadway commissioned by Ken Davenport in New York.

Here’s how Emily described her experience of judging The Young Songwriter 2022 competition.There were hundreds of songs to listen to, a fairly daunting task as judging them requires my full attention for each and every song. Some songs simply invite me to listen to them and others might take a few listens before I fully realise their value. Sometimes songs make us listen again and again and we still can’t exactly say why. There are no steadfast guidelines for what makes a song great, but one thing they all have in common is an ability to connect with the listener. Young people have a unique way of expressing themselves, they are a new generation experiencing life in the most vivid and visceral way, so if a young artist can capture that lucid state of mind with musicality and integrity, they have every chance of writing a great song.The lyrical subjects once again varied enormously. I can’t say there weren’t a few songs about the end of the world, such is the anxiety of the youth regarding climate change and war. Also there was a preoccupation with how phones erode family life, and how unkind social media can be.  But in more cheerful news, there were also many songs about love, nature, politics, gender politics, families and happiness to name a few topics. Whatever the reason for writing a song, there is no doubt that expressing feelings and turning them into a song can be empowering for young people.

I am always looking for originality in whatever shape or form that may come, as well as beautifully crafted songs wherever possible. As I have said in previous years, we are deluged with music on streaming platforms and so much of that music is copycat generic pop. Great artists historically have been found and nurtured by record companies, where the best AnR aim to give the public what they don’t yet know that they want. In other words, great artists become so because they are nurtured and given the time it takes to master their art. The Song Academy gives young aspiring songwriters a chance to do just that. Being a part of the judging process is an honour which, despite my experience as a songwriter, continues to inspire and inform me for which I am very grateful.

* In its 12th year The Young Songwriter 2022 (SAYS22) competition is the world’s leading songwriting competition for young aspiring songwriters, aged 8-18 (under 19 years), to get their songs heard by leaders in the industry & connect to a talented tribe of young songwriters aged 8-18 across the world.

Keep tuned to the Song Academy social media platforms to be the first to hear all upcoming announcements!

Get ready to enter The Young Songwriter 2022 competition!

Championing youth creativity and originality.  Supporting the mental health of young people.  Listening to the unheard youth and giving them a platform to share what’s important to them.  Connecting young songwriters across the world, to collaborate and lead the future of music.  Nurturing the next generation of creative leaders from diverse backgrounds

Star Judges include Tom Grennan, Amy Wadge, Miranda Cooper, Tom Odell, Eg White, Jimmy Napes, Emily Phillips, Plested, Hannah V, Sodajerker, Sacha Skarbek, Calum Scott, Dan Gillespie Sells, Janet Devlin & Grace Davies

In its exciting 12th year, the Song Academy Young Songwriter #SAYS22 competition champions youth creativity, giving them a golden opportunity to get their songs heard by a star-studded judging panel, get recognition for their creative talents, connect to other young songwriters and win some incredible prizes.

With over 1,000 entries in 2021, #SAYS22 aims to reach even more young people writing songs in their bedrooms around the world, as well as inspiring beginners from all backgrounds to write their 1st song! The future of music and all creative industries will be a bright, inclusive and diverse one.

Song Academy gives the unheard youth a voice and platform to express themselves and be heard. Each year, the songs entered give a clear indication of the emotions, preoccupations, and insights of a generation. Lockdown, social media, the environment, love, rejection, home life, self-doubt, human rights, family and friends are subjects which often feature. These songs have the power to unite a generation and lead social change, to shape the future.

Fraser T Smith, songwriter, producer says “With so much going on in the world, it’s never been more vital for young people to be able to channel their energy and emotions into something positive, which is what The Young Songwriter competition encourages and facilitates through songwriting. Every young person has something to say, a story to tell, or a message to share – that’s why Song Academy is so important to our community.”

Tom Odell, singer/songwriter, says “When I was 13 years old I started writing songs, and over the following years I became more and more obsessed with it, but the thing that always kept me awake at night was how to get them out there for people to hear them. This is why I think the Song Academy Young Songwriter competition is a great way to inspire and help through this process, and it’s something I wish had been around when I was starting out. I can’t wait to hear the songs!”

Official sponsors of The Song Academy Young Songwriter 2022 competition are YouTube Music, Yamaha, Soundtrap, Focusrite, PRS for Music, IK Multimedia, ICMP and Orange Learn.

SAYS22 partners include: SAYS22 Partners include First News, Amazing Radio, Ivors Academy, FAC, SoundCity, AOC, MUSIC:ED, The Troubadour, Sing Up, Music-News.com & Fun Kids Radio.

The Song Academy Young Songwriter 2022 competition is looking for pure, fresh songwriting talent. Songs will be judged on their originality, lyrics, melody, composition, and potential to be a smash hit! There’s no need to enter professional recordings, however a good recording can help to enhance the impact of songs.

If you know aspiring young songwriters or musical young people who’d like to write their first song, please encourage

them to enter!  All information is at https://www.songacademy.co.uk/says22/

Announcement to young people:

Calling all aspiring young songwriters, creative writers & musicians!

Aged 8-18? Written your own original songs? Fancy writing your first song?

…Then get ready to enter The Song Academy Young Songwriter 2022 competition!

Open for entries from 1st February to 31st March 2022, from around the world.

Get your songs heard, stand out, connect to other young songwriters and win some great prizes (including

£1,000 of Yamaha equipment, a recording studio session with a top producer & song feedback from our star-studded

judging panel).

With judges including Tom Grennan, Amy Wadge, Plested, Miranda Cooper, Tom Odell, Jimmy Napes, Calum Scott, Sacha Skarbek & Janet Devlin this year is set to be bigger than ever!

Check out our songwriting workshops and feedback services, as well as how to enter The Young Songwriter 2022 competition #SAYS22

NOTES TO EDITORS:

SONG ACADEMY – helping every child find their voice and find their tribe

Founded 13 years ago, Song Academy is dedicated to the future of music and the wellbeing of young people aged 8-18. Our mission is to help children from all backgrounds find their voice and find their tribe, through writing their own original songs at a formative time of their life. We aim to take them from their first song to developing their first album. We nurture young writers, artists, musicians, producers and creative thinkers, empowering young people to achieve their full potential and shape their future.

Our focus is on the craft of songwriting, creating lyrics and music. We believe that songwriting and music can transform the lives of young people. Young people are growing up in a competitive, fast-changing and potentially isolating environment, leaving them vulnerable to various pressures and issues with their mental health. Songwriting enables young people to communicate their thoughts and feelings and connect to others. Through this creative and therapeutic process, they can discover their identity, overcome challenges, feel empowered, and advance their general writing and social skills. Not only can the songs they write advance potential musical careers, but also spark debate, build connection with peers and shape their future.

Song Academy runs after-school clubs, holiday workshops, school workshops, birthday parties and an annual international Young Songwriter competition. As a result of our programmes, we have seen an increase in confidence, self-esteem, creativity, motivation, well-being and technical songwriting ability of our members.

Email: rowena@songacademy.co.uk

Tel: 07710 023743

CREATIVITY • COURAGE • INDIVIDUALITY • SELF ESTEEM • INSPIRATION • RESILIENCE • CONNECTION • RESPECT

 

 

Songwriting workshops at Half-Term & Easter holidays

A must for aspiring young songwriters!  Develop your songwriting skills.  Be inspired.  Meet like-minded young people. Write great songs.  Enter your songs into The Young Songwriter 2022 competition!

Bookings are now open for our popular online and in-person songwriting workshops over the February half-term & the Easter holidays! Songwriting workshops for beginners, intermediates & advanced young songwriters.  Small groups of like-minded young creatives get inspired by Song Academy professional songwriters & take on songwriting briefs to express themselves with lyrics & music….writing their own original songs. Collaborative technology used with Zoom and Soundtrap to create an excellent online experience.  Builds confidence & creative skills……and great fun!

Two types of songwriting workshops:

  • Want to write a song with others? Join a group of up to 8 young people to write a song from scratch together. Then start writing your own song. 3 hour workshop
  • Want to write your own song? Join a group of up 4 young people and write your own original song over 2 days (2 hours each day) or over 3 days (2 hours a day)

All groups have young people the same age and songwriting/musical experience.

CHECK OUT DATES & HOW TO BOOK YOUR PLACE. Don’t miss out! Limited places available.

Testimonials:

“A perfect holiday activity – creative, fun, great group of kids, inspiring leaders and a fantastic song written & performed in such a short time. Bravo!” Emma, Mother
“I’ve come away with loads of ideas to try out with my new songs. Plus I’m going to start writing some with the friends I’ve made!” Anya, aged 16

Songwriting tips from SAYS22 judges & ambassadors

Get inspired with these songwriting tips from The Young Songwriter competition 2022 (#SAYS22) judges & ambassadors!

We’re running a campaign to help inspire and share wisdom with the next generation of songwriters.  Over the #SAYS22 competition period we’ll be sharing 15 second songwriting tips from our judges, Song Academy ambassadors & professional songwriters around the world.  Some are in the YouTube videos below and keep a watch on our social channels for more!

We’d also like all young songwriters around the world to share their top songwriting tip.  Alternatively, to share how they are using the songwriting tips we’ve shared in writing their own songs. To get involved, upload an Instagram story on your channel and tag song_academy and #SAYS22.  We’ll share them on our social media channels!

Would you like to enter your original songs into The Young Songwriter 2022 competition?  Find out more here.

Songwriting resources for Teachers – Exploring rhyme schemes

When we use rhyme in writing song lyrics, it helps to keep a rhyme scheme in mind. Rhyme helps give a song a sense of structure and make lines more memorable and catchy.

Here is a quick recap of how rhyme schemes work, if needed – Look at the lines below:

Twinkle twinkle little star A
How I wonder what you are A
Up above the world so high B
Like a diamond in the sky B
Twinkle twinkle little star A
How I wonder what you are A

The rhyming words appear at the end of each line, which is the most common type of rhyme. Each line is labelled with an alphabetical letter, and the lines that share rhyming words are labelled with the same letter. We then use that sequence of letters to describe the rhyme scheme.

Therefore, in the example above, as lines 1, 2, 5, and 6 all rhyme (star/are), and lines 3 and 4 rhyme (high/sky), we would call this rhyme scheme AABBAA.

Here’s another example:

Finding me outside A
I can’t fall asleep B
How my body aches C
How I’ve fallen deep B

This rhyme scheme is ABCB. Only lines 2 and 4 rhyme (asleep/deep), so we only label them as the same letter.

ACTIVITIES TO TRY WITH YOUNG BEGINNER SONGWRITERS

  • Pick a song well-known to the group. Hand out copies of the lyrics, or display them on a board or screen. As a group, discuss and label the rhyme scheme.
  • As a group, write four lines of lyrics to a simple rhyme scheme, e.g. AABB or ABAB.
  • Have the group create their own four to six line rhyme scheme. They can either write lyrics using their own rhyme schemes, or swap with a partner to challenge them to write to their rhyme schemes.
  • If this is going well, challenge them to write using a more complex rhyme scheme with more letters, e.g ABCBA or ABACDA

 

 

Songwriting resources for Teachers – 3 steps to student songwriting

Inspire your students to write their own songs & give them tools to get started.  Songwriting helps students find their voice & find their tribe.

Music is central to youth culture. One of the key questions that young people ask when they first meet is “what music do you listen to?” It matters to them because it’s part of defining who they are. It is also well-researched that music-making develops creativity, confidence, mental agility and mental health in young people. It provides an opportunity for students to shine in the limelight with solo performances and collaborate as one with others when playing in ensembles. In addition, music can be used in other academic subjects as a powerful way to increase young people’s motivation to learn, articulate what they’ve learned, and help memory retention.

In music education, songwriting provides an inspiring context for students to practice the musical elements they’ve learned in the music curriculum and bring them to life with their creative compositions, as well as practicing their skills of figurative speech learned in their English lessons.

The amount of songwriting taught in school music programs varies widely, but it’s an important opportunity that we should try to provide for students. By learning songwriting, students find their voice and express themselves in all new ways. Here are 3 steps to get started with your students:

Step 1 ― Creating a strong concept and an engaging title
Listening to some songs in different genres is a good step for students to get a feel for the style of song they’d like to write and the topics they want to speak up about. This list of songs is a great place to start.

One of the key components, and biggest challenges, of songwriting is trying to express common, relatable feelings in an original and interesting way. The more inventive students can be when describing feelings or experiences (for example, the pressures and joys of growing up and living in our society), the better. These are two exercises students can try when starting a song:

• Have students select five things in their bedroom (chair, window, guitar, books, etc.) and then turn them into interesting song titles. For example: Bed – Safe Haven, Chair – Where I’ll Stay, Guitar – Broken Strings, Books – Read All About It.
• Encourage students to find a quote they like ― For example, “It is never too late to be what you might have been,” “an obstacle is often a stepping stone,” or “to avoid criticism, say nothing, do nothing, be nothing,” and use that as the main concept to build around.

Step 2 – Getting started with writing
Thinking of their object or quote, encourage students to focus their senses on it and write freely for 10 minutes non-stop. Anything goes. All seven senses should be involved in the process: sight, hearing, smell, taste, touch, organic (awareness of inner bodily functions, e.g. heartbeat) and kinesthetic (your sense of relation to the world around you. For example, when the train you’re on is standing still and the one next to it moves, your kinesthetic sense goes crazy!)

After this 10-minute writing exercise, have students think more about the lyrics they’ve written and write some rhyming couplets. Remember that lyrics have a rhythm and using different rhyming schemes can help to shape the lyrics and make songs more engaging. The best two rhyming schemes to start with are A-A-B-B and A-B-A-B.

Once students’ rhyming couplets have been written, they can now count the syllables in each line. If they count the syllables while tapping their foot (creating a tempo), they’ll notice that they’re naturally creating a rhythm. This can be extremely helpful when working out a melody and figuring out how long the song’s lines are going to be.

Next, ask students to think about creating some metaphors with the words that are connected to their song to give it a unique twist. They can write a list of five interesting adjectives, then a list of five interesting nouns, thinking about each combination and writing some sentences. Then, a list of five nouns and five interesting verbs, and repeat the process of thinking about combinations, and so on. Once students have loads of lyrical ideas, they can organize them into different sections to build the song’s story.

Suggested Song Structure:
• Verse 1 — Introduces the song’s message and sets the scene (four lines, A-A-B-B or A-B-A-B)
• Pre Chorus — Link between the verse and chorus, builds up both melodically and lyrically (two lines, A-A or A-B)
• Chorus — Main message of the song, catchiest part and most memorable part of the song (four lines, A-A-B-B or A-B-A-B)
• Verse 2 — Continuing the explanation of the song, solidifying the message and introducing new imagery; lyrics change, melody stays the same as verse 1, possibly with a few small changes to keep it interesting (four lines, A-A-B-B or A-B-A-B)
• Bridge or Middle Eight — A contrasting section that brings the song to a new level and adds depth; rhythmically and melodically the song changes, looking at the message from a different viewpoint (four or eight lines, A-A-B-B or A-B-A-B)
• Chorus — Repeat (can add hooks to the outro of it)
• Outro — The closing passage. It can be instrumental or vocal

Step 3 ― Creating a chord progression and adding a melody
It’s at this stage when we put music together with the lyrics. Sometimes this may involve students playing instruments, but technology is also hugely beneficial in modern music-making. Soundtrap is a recommended tool for student songwriters to add instrumental parts and beats.

Chord progressions are the foundation of pop music. A chord is a collection of notes played at the same time, and a chord progression is when a series of chords are played in a sequence. There are three main chord progressions for songs in popular music:
• I, IV, V (Which is C, F, G when played in the key of C Major)
• I, V, VI, IV (C, G, Am, F in C Major)
• I, VI, II, V (C, Am, Dm, G in C Major)

Once you become familiar with these progressions, you’ll find yourself hearing them again and again in popular songs. For the next step in songwriting, each student should choose a key for their song and select one of the three chord progressions. They can play the chords and improvise different melodies for the lyrics. It works well to have different chord progressions for the verses, chorus, and bridge of the song. If students are using Soundtrap, they can test out many options.

Taking it to the next step
Once students get started with their songwriting, it’s hard to stop. Encourage them to continue exploring and trying new ideas. And, if they feel really strongly about what they’ve created ― and want to continue developing the idea more, they can enter The Song Academy Young Songwriter 2022 competition, which brings together students from around the globe. When students find their voice through song, they are excited to make sure it’s heard.

More information on The Young Songwriter 2022 competition and how to enter.

 

Songwriting resources for Teachers – Turning a poem into a song

Turning a poem into a song.  Poetry and songwriting are very closely connected – in fact, many songwriters have stated that they started out writing poems before they wrote songs, and those poems became the basis for their lyrics.

So what do a poem and a song have in common? Both make use of RHYTHM and RHYME.

RHYTHM refers to the speed and pace of words, how fast we say them, and which words we emphasise.

RHYME refers to words that sound the same. You’ll often see rhyming words at the ends of lines in poetry. There are many types of rhymes, including single-syllable – like ‘cat’ and ‘hat’ – double syllable – like ‘missing’ and ‘kissing’ – and more.

In poetry, rhythm and rhyme provide a flow to a poem as it is spoken or read. However, in a song, rhythm and rhyme combine with the melodies and production. The rhythm of the words contributes to the overall mood of the song, and the rhyme enhances certain lines, making them more memorable and catchy.

ACTIVITIES TO TRY WITH YOUNG BEGINNER SONGWRITERS

Step 1:  Find a short poem to use – 4 to 8 lines. A limerick might work particularly well. First have the children identify the rhymes, and label matching rhymes with matching letters. (If unsure on this system, consult resources such as https://www.bbc.co.uk/bitesize/topics/z4mmn39/articles/z83g2nb )

Step 2:  Set a pulse beat going, either using a metronome or clapping, and have an individual child or children recite the poem over it. Identify which words were emphasised – this is the rhythm of the words. It may help to underline these emphasised words, for memory.

Step 3:  Discuss melody – what sort of melody would go with this poem? Which words would the pitch move up and down on?
Have the children create their own melodies to fit with the rhythm of the words they have found.
If this is going well, challenge them to find more than one melody, and experiment with the rhythm of the words – lengthening, shortening and emphasising different words than before.

More songwriting resources for Teachers are at

All information on The Song Academy Young Songwriter 2022 competition, open for entries for the 1st February to the 31st March 2022.

What do you need to start producing your songs at home?

We encourage all young songwriters to develop a knowledge of production as it opens up a new creative dimension to songwriting across different genres and helps to enhance the impact of a song.

It’s important to note that you do not need incredible production skills and a top mix in order to submit a successful song to The Young Songwriter competition, many of the best songs ever written would still be just as good whether they were produced fully or just played on one instrument!  Here are some useful ideas to start recording and producing your songs at home.

What do you need to start producing your songs at home?

Here are some examples of home studio setups, with 1 being the most simple and 5 being the most complex.

  1. The most simple – recording yourself performing your song using either the voice memo app on your phone or a tape recorder to capture the raw performance as it sounds in the room.
  2. Using a USB microphone with your computer to capture your performance, possibly adding a few simple effects after the fact to enhance the recording.
  3. Using music production software/a DAW to record the individual parts of your song separately. For example, a USB microphone and an adaptor/cable to connect a guitar/keyboard/MIDI keyboard directly into your computer, resulting in multiple recorded tracks that will be mixed together.
  4. Music production software/DAW using an audio interface, allowing for multiple instruments/voices to be recorded at once either by plugging microphones into the XLR inputs or jack leads into Hi-Z inputs. This can be combined with multiple virtual instruments controlled via MIDI in the DAW.
  5. A full studio setup, including 16 or more input channels, giving you the ability to record several instruments with multiple microphones, including live drums, live piano, guitar amps and strings, at the same time. This setup may also include a MIDI interface in order to control several synths and/or drum machines at the same time. This would also usually be accompanied by a monitoring setup that allows for multiple headphone mixes for different musicians.

Some of the most well known brands for home studio setup audio interfaces include Focusrite, Universal Audio, M-Audio and Presonus. The pros and cons will depend entirely on your needs, but it’s a good idea to research every bit of kit as thoroughly as possible as they all have their own unique selling points. As for microphones, the most well known brands are Shure, Rode, AKG, Audio Technica and Sennheiser. As with the audio interfaces, it’s a good idea to research microphones, and it may be more important as different microphones work better for different sources. A microphone that is good for vocals, may not be great for mic’ing a guitar amp, for example.

Why use a USB microphone?  The first step up from using your phone to record voice memos would be a USB microphone. These range in price and quality, but typically will sound better than a phone microphone or standard computer microphone. You can use it to record the different parts of your song in separately, then mix them together in a DAW, which brings us to the next question…

Why use a DAW?  A Digital Audio Workstation, or DAW, is a piece of software that allows for the recording, layering and processing of audio files. It is the heart of most modern setups, and DAWs are a cheaper, efficient alternative to expensive large format mixing consoles. Some bigger studios may still use traditional style consoles, but many will still record into a DAW via an audio interface instead of recording to tape.

Why use an audio interface?  Audio interfaces have many benefits over USB microphones or plugging a microphone directly into your computer. First of all, they are dedicated units that are built to record audio at a high quality without introducing unwanted noise or artefacts that you might get when using USB microphones. Most interfaces also have independent gain controls so you can set the gain of your microphone and get a comfortable level using a physical control on the interface itself. Audio interfaces can also have multiple inputs, something which isn’t usually possible (or is very difficult) without using one, so they increase the possibilities of your studio with each extra input. Lastly, most interfaces use XLR and jack inputs, that allow you to easily plug in a variety of instruments or microphones, including guitars, keyboards, drum machines. If the interface has a phantom power feature, it means you don’t have to have an extra phantom power supply for your microphone.”

We’re looking forward to helping you start your journey as a young producer and develop your production skills.  Click here for song production & recording workshops dates and the various 121 sessions we offer.

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